Enclosure, Jordanstown, Co. Dublin
Co. Dublin |
Enclosures
In a flat arable field in Jordanstown, County Dublin, there is a monument that exists only from the air.
No bank, no ditch, no stone; nothing at ground level hints that anything is there at all. The only evidence is a circular enclosure that appears as a crop mark on an aerial photograph, a ghostly ring revealed when differential growth in the soil causes overlying crops to ripen or wither at slightly different rates, tracing the outline of something buried or long-since levelled beneath the surface.
Crop marks of this kind are among the quieter tools of archaeological survey. Where a buried ditch or bank once disturbed the soil, moisture and nutrients behave differently from the undisturbed ground around them, and under the right conditions, usually a dry summer, the crops above register that difference visibly from altitude. The enclosure at Jordanstown was recorded in the Sites and Monuments Record file and noted through personal communication from T. Condit, suggesting it came to official attention through the kind of routine aerial reconnaissance that has transformed understanding of the Irish landscape over recent decades. Circular enclosures of this general type are found across Ireland and can represent anything from early medieval farmsteads, known as raths or ring-forts, to prehistoric ditched enclosures, though without excavation, dating or function cannot be confirmed for this particular site.
For anyone curious enough to visit, there is a certain patience required. The site sits within open, relatively flat arable land with extensive visibility in most directions, meaning the surrounding countryside is easy enough to read, but the enclosure itself will not announce itself. There is nothing to stand beside or photograph at a meaningful scale. The value here is conceptual rather than visual; knowing that the ground beneath an ordinary field contains the outline of a structure, legible only to a camera at altitude on the right summer's day, changes how the landscape reads. The record was compiled by David O'Connor and updated by Christine Baker, uploaded in December 2014, and the site remains, as far as the notes indicate, without visible surface remains.