Gallaun, Arda Mór, Co. Kerry
Co. Kerry |
Stone Monuments
On a west-facing slope above the Lispole valley in County Kerry, three prehistoric standing stones are arranged in a line just over seven and a half metres long, orientated to catch the setting sun at the winter solstice.
The alignment itself would be remarkable enough, but sixty metres to the north-east stands a separate outlier stone, nearly three metres tall, whose north-west face is covered in prehistoric rock art: cup-marks, cup-and-circle motifs, radial lines, and an incomplete circle, all carved into the surface in a dense, deliberate arrangement. Stone alignments, rows of upright megaliths erected during the Bronze Age, are found across the Dingle Peninsula, but a decorated outlier of this kind associated with one is unusual enough to draw attention.
The three stones of the alignment descend in height as they run south-westward, from three metres at the north-east end down to around two metres and then to a third stone nearly level with its neighbour. The outlier's carvings include a centrally placed cup-and-two-circles motif, with further cup-and-circle designs below it and a cluster at the base incorporating radial lines, a form sometimes interpreted as representing the sun or as markers of ritual territory, though their precise meaning remains genuinely unknown. Complicating the picture further, a large boulder that had been resting on three smaller stones immediately north-west of the outlier was removed at some point to make way for a track. Based on its configuration, archaeologists have suggested this was likely a boulder-dolmen, a simple megalithic tomb formed by a capstone resting on supports. Boulder-dolmens are occasionally found near isolated standing stones or pairs, but none had previously been recorded in association with a stone alignment, making this grouping, even in its partial, disrupted state, something of an anomaly in the regional record.
The site looks westward across to the Blasket Islands on a clear day, a view that gives some sense of why this particular slope may have mattered to the people who set these stones. The outlier's rock art repays a close look, especially in raking light that picks out the shallower carvings and the linear grooves whose precise outlines remain uncertain even to specialists who have studied them.