Nobody is certain where they came from, and they carry no inscription that might resolve the question. That kind of quiet anomaly, a pair of carefully worked stones with no traceable origin, is easy to walk past, but it is precisely the sort of detail that repays a moment's attention.

The graveyard itself is a rectangular enclosure measuring roughly 36 metres on its longer axis and 21 metres across, oriented northwest to southeast. Within it stands an 18th-century church, a building that has since been converted into a heritage centre rather than left to the incremental ruin that claims so many of its counterparts across Clare. The two dressed stones, recorded separately from the broader graveyard complex, lie in the southern portion of the enclosure. Dressed stone simply means stone that has been deliberately shaped or finished by hand, which implies these pieces were once part of a structure or memorial of some kind, even if that structure can no longer be identified. Their presence in the graveyard may reflect the common Irish practice of gathering worked fragments from nearby or demolished sites, though in this case that remains speculation rather than established fact.