It is not a grand Georgian townhouse, nor is it the humbler artisan dwelling that would come to dominate later streets. It sits between those two worlds, which is precisely what makes it worth a second look.

The building is a mid-terrace structure, four storeys over a basement, squeezed onto a plot roughly six metres wide and rising about twelve metres to the top of its front parapet. On its face, that sounds like standard Dublin fare, but the details tell a more specific story. The steeply pitched roof, the almost pyramidal shape of the rear roof, and the position of the rear chimneystack are all features that conservation architect David Kelly identified, in a planning report submitted to Dublin City Council under application 3202/08, as indicators of a transitional housing typology. That phrase, transitional period, refers to the stretch of the eighteenth century when Dublin's builders were moving away from the steeper, narrower forms inherited from earlier centuries and towards the broader, more regular proportions that would define the classic Georgian terrace. This house, with its two-bay frontage and its oddly tall rear profile, appears to belong to that in-between moment, before the pattern had fully settled.

The basement is recorded as inaccessible, so what a visitor can observe is limited to the exterior, which is itself the point of interest here. The rear roofline is the feature most worth studying if you can find an angle that reveals it, since the near-pyramidal pitch is the most visible surviving clue to the building's age and type. Dublin's south city retains a dense fabric of streets where houses like this can pass unremarked for years, their unusual proportions absorbed into the general rhythm of the terrace. Walking slowly and looking upward, particularly at roof angles and chimney placement rather than shopfronts or doors, tends to reveal more than any guidebook entry.