The front runs to seven bays, which is a generous spread for a rural dwelling of this type, yet two of the windows have been blocked up at some point, leaving the rhythm of the elevation slightly off. The door sits not at the centre, as symmetry might demand, but to the right, and the chimney leans to the left, so the whole composition has a quiet asymmetry that speaks to organic construction and modification rather than any formal architectural plan.

Vernacular houses of this kind, built without an architect and shaped largely by local tradition and available materials, were once the dominant form of rural dwelling across Ireland. The hipped roof, where all four sides slope downward to the eaves rather than ending in a gable, is a feature associated with older building practice in Munster, and the thatch covering it places the house within a craft tradition that had been continuous in the region for centuries. Such buildings were typically extended or adjusted as a household's needs and means changed, which may account for the blocked windows and the asymmetrical arrangement of door and chimney. At the time it was recorded, the house was vacant, its working life apparently at an end.