It commemorates John Foorde, Esquire, who served as Mayor of Limerick in 1693, and it is decorated with a skull and crossbones, that familiar memento mori motif so common on early modern funerary monuments, reminding the viewer of mortality in the bluntest possible terms. What makes it quietly interesting is less the carving itself than its quiet displacement: a memorial built to be seen indoors, in a specific ecclesiastical context, eventually finding itself outside among the graves.

The tablet's history is bound up with the rebuilding of St. John's Church in 1763. Before that reconstruction, the memorial to Foorde occupied a position inside the church, likely as a wall plaque mounted at eye level where a congregation might pass it regularly. The antiquarian Thomas Johnson Westropp, writing in 1904 to 1905, recorded its existence, and the detail of the skull and crossbones was noted by Fogerty in 1913. The Urban Survey compiled by Bradley and colleagues in 1989 drew these references together, tracing the object's movement from interior wall to graveyard. The rebuilding of the church evidently disturbed the original arrangement, and the stone was relocated rather than lost, which was not always the outcome for such monuments when buildings were altered or demolished.

The graveyard associated with St. John's Church sits in the older part of Limerick city, and the inscribed stone is recorded in the Sites and Monuments Record under a separate reference to the church itself, which suggests it has been catalogued as a distinct object worth locating independently. Visitors interested in early modern civic memorials, or in the particular tradition of skull-and-crossbones funerary carving, would find it worth seeking out. The stone is modest in scale, and its outdoor position means weathering may have softened some detail over time, so looking carefully at the surface in good light will reward patience.