Johnstown House, Johnstown Road, Cabinteely, Co. Dublin
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The windows of this Cabinteely house shrink storey by storey, a deliberate trick of proportion that makes the building look taller and more composed than its modest three-bay footprint would suggest.
On the ground floor, round-headed windows sit paired in recessed bays either side of a flat-roofed Classical porch; above them, the first floor repeats the trick in triplicate, mullioned and arched, before the eye reaches a hipped roof whose paired timber roof consoles and rendered chimney stacks, capped in terracotta pots on corbelled brick, close the composition off neatly. It is a small piece of architectural stagecraft, built to draw the gaze upward and outward across grounds designed to be looked at from precisely this angle.
The house that stands today succeeded an earlier Johnstown House on the same site, one known to have been occupied in 1778 by a Love Hiatt and by 1801 by a Major Armstrong, according to period sources. The present building was already standing by 1858, the year Reverend Richard Ardill, described in his will as "Clerk late of Johnstown House Cabinteely," died. Ownership passed through a sequence of figures whose occupations hint at the house's social orbit: John Wight, recorded there in the early 1860s; Charles Raymond Pelly, a retired judge of the Indian judiciary who lived at Johnstown House until his death in 1901; and, into the twentieth century, the Morrison family, headed by the retired army officer Lieutenant Colonel Richard Hobart Morrison, recorded in residence in the 1911 census. Two of his sons appear in the record only briefly: Major Richard Fielding Morrison, who died in 1918, and Sub-Lieutenant Robert Herman Grant Morrison, who died in 1914, both presumably casualties of the First World War, their names surviving now largely through the house they once called home.
Much of the original fabric remains legible despite a working life stretching well over a century and a half. The granite plinth, the rendered "bas-relief" piers marking the corners, the timber sash windows with their margined panes and cut-granite sills, all survive in enough quantity to read the house's original intentions clearly. Where change has come, it has come piecemeal rather than wholesale: several openings, particularly to the side elevations and ground floor, have been refitted with uPVC casements in place of the timber sashes that would once have matched those still surviving on the first floor. It is the kind of small, incremental alteration common to country houses that have stayed in continuous domestic use rather than been frozen as monuments, a reminder that buildings like this one were homes first, and only afterwards became history.
