The chancel walls, built from uncoursed granite blocks and still standing to between two and two and a half metres, are largely intact, but the nave to the west has almost entirely vanished, its line only traceable for ten metres before a single remaining granite block may or may not mark where the far end once stood. Propped against the chancel's south wall is a small gathering of early carved stones that quietly outweighs the architecture around them in age and interest.

The cross-slabs clustered at the chancel wall include one decorated with cup and ring marks, a form of abstract carved ornament associated with prehistoric stone carving that occasionally migrated into early medieval Christian contexts, alongside a taller slab bearing a Latin cross in shallow relief with circles at the arm ends and semicircular curves below. A smaller slab carries a simple incised Latin cross, and the head of a Tau cross, a T-shaped cross form, survives with a central boss carved on both faces. Two rotary quern stones, the upper grinding stones of hand mills, also lie here, their presence unexplained but not unusual at early church sites where the boundaries between domestic and sacred use were often fluid. A cross-base sits outside the chancel's south wall, though the head of a separate stone cross that once stood to the south-west was removed at some point and is now held at the National Museum of Ireland. The church also sits within the ghostly outline of at least two enclosures: a smaller one of around fifty metres diameter, visible on an 1838 Ordnance Survey map, and a much larger one measuring roughly eighty by a hundred metres, defined by an earth and stone bank that still curves from south to west before petering out where quarrying has destroyed the northern and eastern sides.

A 2019 inspection added an unexpected detail to the site's story. Scattered among the stonework are fragments of oolitic limestone, most likely from Dundry Hill near Bristol, a source of fine-grained decorative stone quarried in Somerset and imported to Ireland during the Romanesque period of the twelfth century. Only one fragment is identifiable as a door jamb; the rest are too weathered to read clearly. Their presence suggests the church once had a carved Dundry stone doorframe, placing it within a tradition of high-status ecclesiastical building that imported dressed stone from England at considerable effort and expense. Whether any of the remaining fragments belonged to windows or a chancel arch remains, for now, an open question.