Malahide Railway Station, Main Street, Malahide, Co. Dublin

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Railway Stations

Malahide Railway Station, Main Street, Malahide, Co. Dublin

Nine bays of yellow brick, a Tudor-style porch pushed forward like a gatehouse, and a glazed canopy held up on cast-iron columns: Malahide's railway station is the kind of building that rewards a second look, especially once you notice the diamond-leaded windows and the tongue-and-groove timber panelling running along both long elevations.

It is a single-storey structure, but a long and layered one, with a cast-iron pedestrian bridge, a separate waiting room, and a detached three-bay house all arranged around the platforms, each part doing a distinct job within what still reads as a single composition.

The station dates from 1851 and was designed by George Papworth, an architect whose work sits comfortably within the wave of railway building that reshaped towns along Ireland's east coast in the mid-nineteenth century. The Flemish bond brickwork, picked out with red and grey string courses and dressings, and the segmental and round-headed openings with their chamfered granite sills, are typical of the care taken over what were, in effect, new civic buildings for towns that had never needed anything like them before. The gabled porch, deliberately Tudor in style, gave the station a domestic, almost manorial presence rather than a purely functional one, while the double-pitched canopy at the rear, its cast-iron and timber frame carried on slender columns, sheltered passengers waiting on the platform in a way that made the ordinary business of catching a train feel a little more considered.

Inside, the waiting room is full-height and open into the roof, with exposed timber beams overhead and a tiled floor underfoot, so that stepping in from the platform brings you into a space with far more volume than the low, horizontal exterior suggests. Much of the original timber joinery and fittings survive, along with sash windows in a 2/2 pattern and square-headed openings to the central bays, details that reward a slow walk along the platform rather than a rushed passage through. The four yellow brick chimney stacks with their clay pots, the natural slate roof, and the cast-iron rainwater goods all point to a building designed to be looked at as well as used, a distinction not every station of its era managed to hold onto.

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