The carved text, dating to 1684, records the burial of a young woman, and refers to her remains as her "doddy", a spelling of "body" that surfaces occasionally in early modern Irish funerary inscriptions and offers a small, vivid reminder of how phonetic, regional, and inconsistent written English could be in the seventeenth century. The stone is not a grand monument. It is incised rather than sculpted in relief, meaning the letters were cut directly into the surface of the slab rather than raised from it, a common and economical technique for memorial stones of the period.

The inscription reads, in full, that here lies the doddy of Eliz, the daughter of Daniel Webb, of Rathcannon, who departed this life the 14th day of May 1684. The stone was recorded in the Urban Survey of County Limerick, compiled by Bradley and others in 1989, and referenced also in the journal Memorials of the Dead, volume five, published between 1901 and 1903. Rathcannon is a townland in County Limerick, which places the Webb family in the broader rural hinterland around Kilmallock, a town that had been a significant medieval and early modern settlement. Daniel Webb, named as her father, is the only other person identified; nothing further about the family is recorded in the available notes. The date, the 14th of May 1684, is given with the kind of precision that suggests a family that kept some record of its own, even if little else survives.

Kilmallock itself retains substantial medieval fabric, including a Dominican friary and sections of its town walls, so visitors exploring those more prominent remains may encounter this quieter stone without having specifically sought it out. The inscription's orthography rewards a close look; the use of "SE" as an abbreviation, likely for "son" or possibly a contracted form indicating origin or association, and the rendering of "daughter" as "davghter" reflect conventions of the period when u and v were used interchangeably in print and carving. Anyone with an interest in post-Reformation memorial culture or simply in the texture of ordinary seventeenth-century lives will find the stone worth pausing over.