Newbrook House, Bellanaloob, Co. Mayo

Co. Mayo |

Mills

Newbrook House, Bellanaloob, Co. Mayo

A round tower without a church attached to it is usually a windmill, and the cylindrical stump standing in the overgrown grounds near Newbrook House is exactly that: a freestanding, three-stage tower built to catch wind rather than to house monks or bells.

It has stood roofless and open to the sky since at least 1925, its battlemented parapet, the toothed, castellated finish known as Irish battlementing, giving it a faintly military air that has nothing to do with its original, entirely agricultural purpose.

The tower dates from before 1838 and belonged to the working landscape of the Newbrook House estate, grinding grain for a farm and demesne that no longer exist in any recognisable form. The main house itself was destroyed by fire in 1837, and what remained afterwards was eventually cleared away by the Irish Land Commission, the body reconstituted in 1923 to oversee the break-up and redistribution of Irish estates in the wake of independence. The windmill, oddly, outlasted the house it once served, left standing while the grander building it stood beside was pulled down piece by piece. Its walls are of coursed rubble limestone, originally finished with a lime render or roughcast coating, traces of which still cling to the stonework. The door and window openings are square headed rather than arched, framed with hammered limestone lintels carrying neatly squared voussoirs, the wedge shaped stones that lock a flat lintel or arch in place, a level of finish that suggests the tower was built to be looked at as well as used.

What survives now reads less as a functioning mill and more as an accidental folly, a structure whose industrial purpose has been quietly overtaken by its picturesque ruin. It sits in unkempt grounds shared with the vanished house, one of the few upstanding fragments of an estate that has otherwise been reduced to fields and memory. For anyone tracing the industrial history of south Mayo, it stands as a rare physical trace of the milling technology that once served scattered rural estates, its blind, roofless silhouette a reminder that the outbuildings of a lost demesne sometimes prove hardier than the big house they were built to support.

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Pete F
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