It is not large, roughly 83 centimetres at its longest, and it sits on a grassy margin at the edge of a private dwelling plot, doing quiet duty as a boundary marker. That it survives at all is mildly remarkable, given that it was moved here from a field some 300 metres to the north at some point in its history, making it what archaeologists call ex-situ, meaning displaced from its original setting and context.

The decorated surface is flat and subrectangular, and the motifs cut into it belong to the tradition of Atlantic rock art, a body of abstract carving found across Ireland, Britain, and parts of western Europe, generally attributed to the Neolithic or Early Bronze Age. The language of this tradition is largely geometric: cups, rings, and grooves, whose precise meaning or function remains genuinely unknown. On this particular stone, there are two distinct compositions. At the south-western edge, a cup-and-ring motif sits partially incomplete, its outer ring fading as it meets the stone's edge, which may suggest the carving once extended onto a surface now lost or worn away. Eleven centimetres to the east, a slightly larger cup-and-two-ring motif is more fully preserved, its concentric rings measuring around 17 centimetres across overall. A short groove extends outward from the cup at the south-west, sometimes described in the literature as a radial line. The stone itself is sandstone, smooth in places and fractured in others, and the finer details of the carving, some cuts barely a millimetre or two deep, reward close looking rather than a passing glance.