What makes it remarkable is not its size but its deliberate marks: a line of picking along the western edge, further picking along the eastern edge, and scattered pick-marks across the sloping upper surface. Picking, in rock art terms, refers to the repeated striking of stone against stone to produce shallow pits or grooves, a technique used across prehistoric Ireland to leave marks whose precise meaning remains unknown.

The rock itself is modest almost to the point of invisibility, measuring roughly 50 centimetres east to west and 20 centimetres north to south. Its surface tilts upward toward the north-east, and the marks follow the contours of that slope. What pulls this small outcrop into sharper focus is its setting: within 40 metres of this panel, in the same boggy pasture, lie two further rock art panels. The clustering of carved stones in a single field suggests that this corner of Kerry was a place people returned to, or perhaps a place that was already marked by earlier carvings when later ones were added. Whether the three panels were made at the same time, by the same people, or with any shared intention is not something the stones themselves will easily reveal.