The motifs are faint, worn by centuries of exposure, but they are there: grooves, cupmarks, and traces of picking worked into the rock by hands whose intentions remain genuinely unknown. Rock art of this kind, found across upland Ireland and dating broadly to the Neolithic and Bronze Age periods, typically consists of abstract marks, most commonly cup-shaped depressions and carved lines, made by picking or pecking the stone surface. What purpose they served, whether territorial, ritual, or otherwise, has never been satisfactorily explained, which is part of what makes each example quietly compelling.

This particular outcrop, a rough and fractured piece of sandstone measuring roughly 2.75 metres along its longest axis and rising about 0.9 metres at its south-eastern end, sits approximately 11 metres to the east-south-east of a second recorded rock art site. The two form a loose cluster on this hillside above the Behy river valley, with the Seefin and Droum Mountains visible to the north-east. The decorated surface covers an area of roughly one metre by 0.9 metres and carries motifs on three aspects: the west-south-west face, the north-east face, and the top of the rock. The most legible element is a meandering picked groove on the west-south-west face, forming a broad M-shape spanning about 32 centimetres north to south, positioned just above ground level. A second meandering groove sits on the south-eastern area of the same surface. Cupmarks, which are simply small circular depressions ground or pecked into the rock, appear across the stone: a small one near the western edge, two larger examples measuring 7 centimetres in diameter on the top surface, and two further cupmarks on the north-east face.