It is not a dramatic monument. At its tallest point it rises only 20 centimetres from the ground, and its decorated surface measures a little over 22 centimetres by 7 centimetres, roughly the size of a hand. What marks it out is a tight cluster of pickmarks pressed into the south-western area of the stone, each one between 7 and 9 millimetres across and 2 millimetres deep, very distinct against the otherwise smooth and fractured sandstone. Rock art of this kind, produced by prehistoric peoples who used a hard point to peck repeated marks into stone, is found across upland Ireland, though its precise purpose and meaning remain genuinely unresolved. The marks here are concentrated and deliberate, not scattered, which gives the cluster a purposeful quality that is hard to ignore.

The stone belongs to a wider scatter of rock art in this part of Kerry. A second example lies approximately 24 metres to the north-north-east, suggesting that this stretch of hillside was a place where people returned to, or at least passed through with some intention, during prehistory. The surrounding landscape reinforces that sense of deliberate placement. The site is overlooked by mountains stretching from the south-east around to the north-west, and the views down to the Behy River valley to the north-east are open and clear. Whether such vantage points mattered to the people who made these marks is impossible to say with certainty, but the combination of visibility and repeated human activity on this slope is worth sitting with.