It is one of three such decorated stones, and what makes its situation quietly odd is that it no longer sits where it was first placed. For centuries, it was built into the fabric of a ringfort, a type of enclosed farmstead common across early medieval Ireland, the earthen banks of which once kept livestock in and strangers at a cautious distance.

According to research compiled by archaeologist Geraldine Stout, and drawing on Elizabeth Shee-Twohig's 2001 survey of Irish rock art, this stone and its two companions had been incorporated into that ringfort, recorded as ME009-063, before the whole structure was levelled in the 1940s. The stone itself bears two distinct designs: one is a cup mark, a small circular hollow ground into the rock face, surrounded by four concentric rings, and the other is a similar cup mark enclosed by three rings. Cup-and-ring marks of this kind are among the oldest forms of carved decoration found in Ireland and Britain, generally associated with the Bronze Age, though their meaning remains genuinely unresolved. The fact that prehistoric decorated stones were later reused in ringfort construction is not unusual; building materials were practical things, and earlier monuments were regularly quarried or incorporated without ceremony.

The stone is now held at a present location within Dublin South City, though the notes do not specify the exact address or institution where it can be viewed. Anyone hoping to seek it out would do well to contact the relevant local authority heritage office or the National Monuments Service, which maintains records for registered sites. Given that it was displaced from its original context in the 1940s demolition, the carvings themselves are what reward attention: the shallow rings radiating outward from each cup mark, worn but legible, carrying the faint impression of a hand and an intention that nobody has yet satisfactorily explained.