It measures only 1.3 metres by 0.9 metres, an oval hollow of moss-covered stones holding very little water. Yet someone has been here recently enough to paint blue crosses onto the surrounding stones, and a statue of a female saint is fixed to a nearby tree, sheltered rather than displayed. The place is still in use, still receiving visitors who come not as tourists but as pilgrims.

Holy wells dedicated to Saint Bridget, the fifth-century abbess of Kildare who became one of Ireland's most widely venerated saints, are found in nearly every county on the island, and this one at Artramon has been recorded on the Ordnance Survey six-inch maps since at least 1839, with the same name appearing again on the 1941 edition. Its setting within a quarry suggests the site may have been shaped as much by practical extraction of stone as by any deliberate sacred landscaping, yet that rough, functional hollow has clearly carried devotional meaning for a long time. The well sits in close proximity to two other significant features: the remains of a church lie roughly 120 metres to the north-north-east, and a tower house, the kind of fortified residence common across late medieval Ireland, stands about 50 metres to the south. The clustering of well, church, and tower house in such a tight radius points to Artramon having been a place of some local importance across several centuries.

The blue-painted crosses and the tree-shrine are the most telling details here. Painting or marking stones near a holy well is a continuation of patterns of devotion that predate Christianity on this island, adapted and carried forward rather than replaced. The statue fixed to the tree gives the site a quality that is improvised and intimate rather than formally maintained, which is, in its own way, a form of continuity.