The spring, known locally as Tobar Phádraig, sits within a small oval drystone enclosure measuring roughly three metres by just over one. Beneath its present walls, traces of an earlier, roughly circular structure survive, suggesting the site was already formally arranged long before anyone built what stands there today. About seventy-five metres to the west lies Leaba Phádraig, Saint Patrick's Bed itself, a recess cut into the slope beside a modern altar. Around it, three small penitential stations, low drystone enclosures whose interiors are scattered with small stones and pebbles left by those who completed the rounds, complete what is effectively an open-air devotional landscape set against a mountain pass.

The antiquity of the site is not in doubt. In 1684, the Connacht historian Roderic O'Flaherty recorded the well as a remedy for murrain, the name given to a range of infectious diseases in cattle, suggesting it carried practical as well as spiritual significance for farming communities in the region. O'Flaherty's note was published in James Hardiman's edition of 1846, and the site continued to attract documentary attention into the twentieth century. The pattern, meaning the traditional annual gathering at a holy well or saint's site, still takes place on the last Sunday in July, a date that places it in the old festival season of Lughnasa. The stones inside the penitential enclosures are not random debris but the accumulated evidence of that practice: pilgrims walk prescribed circuits, often barefoot, and deposit small stones at each station as a form of prayer or penance.