On its south-western face, there are four possible cup-marks, small circular depressions carved or pecked into the surface, along with a similar feature on the top of the stone. Cup-marks are among the oldest forms of human mark-making found in the Irish landscape, their precise purpose still debated, and their presence here places this otherwise quiet field monument within a much older conversation about how prehistoric people related to the land and sky around them.

The stone itself stands 1.75 metres tall and measures 1.35 metres along its north-east to south-west axis, with a narrower 0.9 metre spread in the opposing direction. It is oriented with its long axis running north-east to south-west, a alignment shared by many Irish standing stones, some of which are thought to have had astronomical or territorial significance. The south-eastern face is notably different from the others, being roughly rectangular in shape with a smoother surface, while the remaining faces carry natural striations, weathering marks, and a patching of lichens accumulated over centuries. Whether the smoother face was worked deliberately or simply reflects the nature of the limestone at that point is not certain. What is clear from the stone's position, just below the crown of a gentle north-north-westward-facing slope, is that whoever placed it here had a particular view in mind. To the south-west lie the Gap of Dunloe and the MacGillycuddy's Reeks, the highest mountain range in Ireland, and directly to the south rise the twin rounded summits known as the Paps, hills long associated in Irish mythology with the goddess Anu and with the body of the land itself. The alignment of the stone toward these landmarks may be coincidence, but it is a coincidence that invites attention.