Somewhere in the small rectangular graveyard surrounding the Romanesque church of Guilcagh, near Coolfinn in County Waterford, a seventeenth-century chest tomb has been quietly disappearing. A chest tomb is a freestanding box-shaped funerary monument, typically carved with inscriptions and figural panels, and the one commemorating a man named Peter Power was, until the late 1960s, still present in fragments. Since then, even those remains have gone missing. What survives in the record is a description: a main slab roughly 1.2 metres by 0.6 metres, bearing a raised roman-lettered inscription and the date 1645, and possibly two narrow side panels, each approximately 0.6 metres by 0.15 metres, carved with figures that included a crucifixion scene.

The church itself adds further layers of interest to a site that could easily be passed over. Built in the Romanesque style, it sits at the edge of the River Suir floodplain, with the Kilbunny Stream running roughly thirty to forty metres to the south-east. Outside its doorway stand two bullaun stones, shallow basin-like depressions carved into boulders that are found at early Christian sites across Ireland and whose precise original function, whether ritual, liturgical, or practical, remains debated. An altar has been incorporated into the eastern wall, suggesting the building was adapted and reused across different periods. The Power tomb, dated 1645, would have belonged to a time of considerable upheaval in Irish history, just before the Cromwellian campaigns reshaped land ownership and community life across Munster. Whether Peter Power was a local landowner or a figure of more modest standing is not recorded, but the quality implied by a carved chest tomb with figural panels suggests some degree of local prominence.

The loss of the tomb fragments sometime after the late 1960s is the kind of small, unspectacular disappearance that leaves a gap in the material record without generating much notice. The site retains its bullaun stones and its Romanesque fabric, but the carved evidence of Peter Power and the date 1645 exists now only in earlier written accounts.