The effigy lies recumbent, a term for this type of funerary sculpture in which the deceased is depicted lying flat, as if in repose, and the carving is detailed enough to distinguish each layer of ecclesiastical dress. What makes it quietly strange is this accumulation of vestments rendered in stone: the alb, the long white undergarment; the amice, a rectangular cloth worn at the neck; the chasuble, the outermost liturgical robe; and the maniple, a narrow strip of fabric draped over the left forearm. A low mitre sits on the bishop's head, and his episcopal staff crosses the body at a slight angle, lending the composition an almost casual air that contrasts with the formality of the dress.

The monument is housed in St Michan's Church on Church Street in Dublin, a site with Norse origins and one of the oldest parishes on the north side of the city. The effigy slab was recorded and described by the art historian John Hunt in 1974, who noted something worth pausing over: the cross head of the episcopal staff is carved from a separate piece of stone and may represent a later restoration rather than original medieval work. This small detail carries real weight, suggesting the monument has been repaired or altered at some point in its history, and that what visitors see today is partly a reconstruction. Geraldine Stout compiled the formal archaeological record for the site in 2012, drawing on Hunt's earlier analysis.

St Michan's is open to visitors, and guided tours of the church and its famous underground vaults are available on most weekdays and Saturday mornings, though it is worth checking current opening hours before travelling. The effigy is in the chancel rather than the crypt, so it can be seen without descending below ground. Look closely at the junction between the staff's shaft and its cross head, where the join between original carving and possible later repair is most apparent. The sandstone has a pale, almost chalky quality that catches even the modest interior light, making the carved vestments easier to read than photographs might suggest.