It is modest almost to the point of invisibility, yet people continue to leave offerings there. That quiet persistence of devotion is what sets it apart: the well has been accumulating meaning for centuries, and shows no sign of stopping.

The site was recorded in 1684 by Roderic O'Flaherty, the Connacht antiquarian whose writings preserve details of the west Galway landscape that might otherwise have been lost entirely. He described it as a well kept "in memory of the seaven daughters", though who exactly those daughters were, and of whom, is not explained in the surviving record. The name alone carries the weight of a story that has not fully come down to us. Holy wells of this kind, typically natural springs that have accumulated layers of religious and folk significance over generations, are common across Ireland, but one dedicated to a specific group of named or semi-named figures carries an unusually personal quality. The enclosure itself is simple: a low rectangular wall, roughly two metres by one-and-a-half, open on its northern side, with the spring at its centre. James Hardiman, in his 1846 edition of O'Flaherty's manuscript, preserved the original spelling, including the archaic "seaven", which itself gives a small but vivid sense of the document's age.

Visitors to the site today will find the offerings that have accumulated there, small tokens left in the continuing tradition of pattern-well devotion. The well lies in low ground close to the hill, and the setting is unassuming rather than dramatic, which perhaps makes the evidence of ongoing use all the more quietly striking.