The carving, recorded on an outcrop on the northern side of the Meelagh river at around 246 metres elevation, consists of a pocked penannular ring, essentially a roughly circular groove pecked into the stone surface but left open at one point, with a natural solution pit incorporated into one of its terminals. A scatter of faint pockmarks sits nearby. What makes the site quietly peculiar is not just the motif itself but the fact that a thorough field search, conducted decades after the original description was published, failed to locate it at all.

The carving was first described by archaeologists Aidan O'Sullivan and Jerry Sheehan in their 1996 survey of the Iveragh Peninsula, a landmark study of prehistoric and early medieval remains across south Kerry. Rock art of this kind, in which abstract motifs such as rings, spirals, and cup marks are ground or pecked into exposed stone surfaces, is found widely across the uplands of Ireland and Britain, though its purpose and date remain genuinely uncertain. Most examples are thought to belong broadly to the Neolithic or Bronze Age. The incorporation of a natural solution pit, a hollow formed by water slowly dissolving the rock surface, into the design is a detail worth noting; it suggests the person making the mark was working with the existing character of the stone rather than imposing a shape onto a blank surface.

The location sits on a southeast-facing slope with open views across the valleys of the Owbeg and Meelagh rivers as they converge and feed into the River Caragh and eventually Caragh Lake, with the MacGillycuddy Reeks visible to the east. A later field inspection placed the most likely area roughly 100 metres southwest of a nearby farmhouse, up a steep rise and over a fence onto a ridge running northwest to southeast. Despite that guidance, the motif went unseen. Whether it has been obscured by lichen, shifted turf, or simply mis-mapped from the outset, the carving remains, for now, a mark on a map more than a mark on a stone.