Borris House, Main Street, Borris, Co. Carlow

Co. Carlow |

Main Houses

Borris House, Main Street, Borris, Co. Carlow

Behind a crenellated parapet and turret finials that look medieval at a glance lies a country house whose bones are considerably older than its skin.

Borris House presents itself, at first look, as a confident piece of Tudor Revival theatre, all arcaded porch and battlement silhouette. But that display dates only to around 1870, applied to a structure raised in 1731, which in turn incorporates the fabric of a castle built before 1700. The building is, in effect, three centuries stacked on top of one another and dressed to look like one coherent idea.

The core survives as a detached seven-bay house of three storeys over a basement, its render and cut stone façade enrichments belonging to the eighteenth century phase. When the Victorian remodelling arrived a century and a half later, it did not sweep this away but layered onto it, adding the projecting porch, the crenellations, and a service wing to the rear, the sort of addition that let a country house keep functioning as a household rather than a monument. The interior is said to retain its original appearance, which is unusual; renovations of this scale, especially those chasing a fashionable medieval silhouette, often gut what they cannot see from the avenue. Here, apparently, the older rooms were left largely alone even as the exterior was reworked to suit nineteenth century taste for castellated romance.

The grounds carry their own layers of history. A stable complex stands to the rear, a walled garden occupies part of the site, the sort of enclosed, sheltered plot once used to grow produce and fruit out of the wind, and a freestanding folly tower, dated 1817, stands apart from the house itself. Follies of this kind, ornamental towers with no practical function beyond providing a view or a picturesque incident in the landscape, were a common flourish of the period, built by landed families keen to signal taste and means. Here it predates the Tudor Revival remodelling by several decades, meaning the demesne itself absorbed change in stages: castle fabric folded into a Georgian house, that house extended and re-costumed in the Victorian era, with a Regency folly already standing in the wider landscape before any of the later work began.

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