Ravensdale House, Ravensdale, Co. Louth
Co. Louth |
Main Houses
Look closely at the south wall of Ravensdale House and, beneath the render, you will find slate hanging, a covering of overlapping slates fixed to the wall surface, more commonly seen protecting cottages on exposed coastal stretches than dressing up a gentleman's house outside a village.
It is not something a passer-by would notice, since the rendering has been carried over it, but its presence hints at a building that has been altered and refined over time rather than left untouched. The façade facing west tells a more immediate story: a tripartite arrangement of windows, six-over-nine sliding sashes at ground level and six-over-six above, each flanked by narrow sidelights, giving the front an even, balanced rhythm that was clearly the point of the exercise.
The house dates to around 1770, a detached three-bay, two-storey building with an attic, built with a return and a lean-to addition to the east. Red brick chimneystacks sit corbelled above a pitched slate roof with clay ridge tiles, and the eaves are carried on a corbelled course supporting moulded cast-iron gutters, a level of detail that suggests the original owners were not building purely for shelter. At the rear, on the east elevation, a round-headed stair window survives with its sash box still exposed and unusually thick glazing bars, a small detail that marks it out as an earlier type of window than the crisper sashes at the front, and one that most houses of this kind lost long ago to later replacements. The entrance follows the same logic of quiet display: a segmental-headed doorway with a fluted timber surround, sidelights, a frieze and cornice, and a fanlight worked in a delicate spider's web pattern, the whole thing reached by a short flight of stone steps.
The grounds are still defined by their original boundary walls, rendered smooth and roughcast in sections with stone coping, and marked by square-profile gate piers finished with pyramidal capping stones. A wrought-iron gate stands to the south-west, with a smaller pedestrian gate to the south-east, both worth pausing at before approaching the house itself, since the sequence of piers, walls and gates was clearly designed to be read as a whole rather than as separate features.