Broadlough House, Tinakelly, Co. Wicklow
Co. Wicklow |
Main Houses
Look closely at the roofline of Broadlough House and the building starts to tell on itself: hipped sections meet gable ends, a flat roof tucks in behind, and a rounded south-facing bow sits at odds with the rest of the facade.
Nothing here was built in a single campaign, and none of it pretends otherwise. The house reads less as a fixed architectural statement than as a record of accretion, each generation adding what it needed and, for the most part, having the sense to match what was already there.
The core dates to around 1780, a five-bay single-storey block over a basement, with an attic tucked beneath the roof and lit by an eyebrow window set directly above the entrance, a small elliptical opening that is more decorative flourish than practical light source. There is a suggestion that the fabric of an earlier 17th-century building survives within the later structure, which would make the Georgian house a re-clothing rather than a wholesale rebuild. The entrance itself is a fairly complete piece of period joinery: a panelled timber door flanked by pilaster jambs, a segmental fanlight, and sidelights carrying decorative tracery, reached by a short flight of stone steps with an iron guardrail. Quoins, the dressed stones or rendered edges reinforcing the corners of a building, run up the painted render walls, and six-over-six timber sash windows with stone sills mark it out as a house of some standing rather than a modest farmhouse dressed up. Most of the visible extensions, the various one, one-and-a-half, and two-storey additions to the rear, along with a conservatory, belong to the mid to later 20th century, added as the house's needs changed but kept broadly sympathetic to the original massing and finish. To the north-east stands a large L-shaped outbuilding in brick, with single and two-storey wings, presumably once serving the working end of the estate rather than the domestic one.
What makes the place worth pausing over is not any single dramatic feature but the layering itself, the way a rounded gable end and a flat roof and a hipped section can all belong to the same building without it reading as a mess. The grounds around the house are kept in a state that matches the building's own care, tended rather than wild, which suits a house that has spent two centuries quietly absorbing change rather than resisting it.

