Ballina Railway Station, Station Road, Ballina, Co. Mayo
Co. Mayo |
Railway Stations
A five-bay single-storey building with a featureless doorcase and rock faced limestone walls does not announce itself as anything special from the street, yet Ballina's railway station carries the kind of quiet architectural confidence that rewards a second look.
The rectilinear plan is plain almost to the point of severity, but the quality of the stonework, snecked and rock faced with dragged edges to the quoins and window surrounds, suggests a building designed by someone who understood that restraint could still communicate craft. That someone is thought to have been Frederick Barry, a Dublin architect working in the 1870s, whose hand is attributed to the composition on the strength of these details.
The station was designed in 1872 and opened the following year as part of the Mayo Branch of the Midland Great Western Railway, a line that by then had become bound up with the ambitions of the Great Northern and Western Railway Company as it pushed rail connections further into the west of Ireland. Ballina's station is a record of that expansion, one of the many modest but solidly built structures raised across the country as the rail network reached towns that had previously depended on road and river. The building's chimney stacks, set on chamfered cushion courses with cut-limestone stringcourses beneath their capping, and its timber bargeboards and finials on the gables, all point to a design that took evident care over practical detail even in a functional, workaday setting.
The station's basic form and massing have survived largely intact through renovation in 1996, and much of the original fabric remains, including the cast-iron downpipes retained beneath uPVC rainwater goods, a small but telling survival amid otherwise modern replacements. Less happily, the original two-over-two timber sash windows have been replaced with timber casements, a change that, however practical, has altered the external character of the openings and slightly diminished the coherence of the original design. It is a reminder that even well-kept nineteenth-century buildings rarely come down to us entirely unaltered, and that the small substitutions, a window here, a roof slate there, are often what a careful eye notices first.