It never appeared on the Ordnance Survey's historic maps, which means it slipped through the cartographic record entirely, unrecorded and unremarked upon until relatively recently. That absence alone makes it worth noting: a monument that has sat quietly in wet pasture on a gentle south-east-facing slope, roughly 260 metres from the Glenatrahaun Stream, without ever attracting the attention of earlier surveyors.

When the Archaeological Survey of Ireland examined the site in 2008, the picture that emerged was one of considerable age and considerable wear. Alison McQueen and Vera Rahilly compiled the record, describing a circular earthwork roughly 26 metres in diameter. The monument retains a degraded inner bank, a berm, a fosse (the encircling ditch), and an outer bank, though none of these features survive fully around the circuit. The inner bank is visible only from the west around to the east; the berm and outer bank are legible only along the northern arc, from north-west through to north-east. Maximum heights are modest, around 0.45 to 0.55 metres, and widths vary considerably, with the inner bank measuring over 12 metres across and the fosse close to 6 metres. The monument is not alone in the landscape: another ring-barrow lies 190 metres to the south, and a cluster of further archaeological sites sits just 70 metres to the east, suggesting this corner of County Limerick was once a place of some significance.

For those who want to locate the monument, aerial imagery is the most accessible starting point. The earthwork shows clearly as a circular cropmark on Digital Globe orthophotos from 2011 to 2013 and on Google Earth imagery dated 25 March 2017, where the concentric rings of bank, ditch, and outer bank are legible even in satellite view. On the ground, the terrain is wet pasture, so sturdy footwear is advisable, and the features are subtle enough that approaching from the north gives the best chance of reading the surviving earthworks. The visible arc of banks and fosse is concentrated on the northern side, so that is where the monument communicates most clearly with a patient observer.