One is in raised Latin lettering; the other is incised directly into the stone in English, added later by someone who felt a personal connection strong enough to claim space on another family's memorial.

The primary inscription, recorded in 1903 by a researcher named FitzGerald, commemorates Anna Sall, widow of James Sall of Meldrom, who is described as an Esquire and Assessor of Royal Law, a role broadly equivalent to a magistrate. She died on the 27th of May 1674, aged sixty-six. The slab lies in the graveyard to the north of the cathedral choir, within the complex of ecclesiastical buildings that crowd the summit of the famous limestone outcrop. Beneath or alongside this Latin memorial, someone later added an English inscription identifying a John White as a descendant of the Youngs, the Botyons, and the Salls of Meldrom. The names are partially damaged or worn, reconstructed with brackets in FitzGerald's transcription, but the intent is clear: White wished to anchor himself within a specific web of family connections, and chose Anna Sall's graveslab as the place to do it.

What makes this object quietly interesting is what it suggests about memory and lineage in post-Reformation Ireland. The Latin inscription follows the conventional form of Catholic memorial epigraphy, with its "Hic Jacet" opening and careful record of age and date. The English addition, incised rather than raised, feels almost like a marginal note, a claim of kinship pressed onto a stone that already belonged to someone else. The families named, Sall, Young, Botyon, appear to have carried enough local significance that their connection was still worth asserting years, perhaps decades, after Anna Sall's burial in 1674.