She followed him two years later, aged 100. Their story, improbable and oddly moving, is preserved on a modern replacement stone in a small graveyard tucked into the grounds of Malahide Castle in north County Dublin, opposite the castle's recently renovated Courtyard. The original slab had fallen and been lost to time; the inscription was transferred to a new stone, keeping the record intact even if the physical continuity was broken.

The graveyard itself is a sub-circular enclosure, roughly 40 metres east to west and 45 metres north to south, bounded by a battlemented wall and a curving hedgerow. Battlemented walls on a graveyard are relatively unusual and give the site a fortified, almost theatrical quality. The ground rises toward the centre, where a church dominates the space; unusually, the church interior has itself been used for burial, making the building as much a vault as a place of worship. The gravestones span the eighteenth, nineteenth, and early twentieth centuries, with some plain, undecorated markers alongside inscribed ones, and what may be reused architectural fragments incorporated into the fabric of the enclosure. During redevelopment works at Malahide Castle and Gardens, archaeologists monitoring service trenches under licence C451 uncovered the skeletal remains of four individuals on the curving path immediately outside the graveyard wall, lying at a depth of around half a metre and oriented east to west, the traditional Christian alignment. A modern service trench had already cut through the western ends of all four burials before they were identified.

The graveyard sits within the publicly accessible Malahide Castle and Gardens site, so reaching it requires entry to the demesne rather than any particular rural navigation. It is easy to pass by without registering it as distinct from the broader castle complex, so it is worth looking for the battlemented wall opposite the Courtyard buildings. Once inside, the raised central ground and the dual function of the church as burial space are the details that reward a slow look. The replacement stones, particularly the Lamb inscription, are worth finding, less for sentiment than for the quiet strangeness of a life measured out so precisely in stone.