The carving appears to depict Christ, and the fresh, unweathered surfaces around the cut stone make one thing immediately clear: whoever made this did so recently, probably within living memory. It is an unusual thing to encounter, a piece of devotional folk sculpture worked directly into what was likely an old field boundary stone, left in place beside the sea with no obvious ceremony or formal context.

The boulder is earthfast, meaning it is set into the ground rather than simply resting on it, though it can be shifted slightly with effort, which suggests the carving was done where the stone already stood rather than brought to the spot. The stone itself leans a little to the north, and its upper portion narrows to an almost square profile. The face gazes west-northwest, and the carver has worked with the existing surface rather than against it: the raised features, the outline of the head, the eyes, nose, and beard, are formed by the natural face of the granite, with material carved away around them to bring the image forward. On top of the boulder, a latin cross has been cut in relief, sitting about five centimetres proud of the surface. The cross is modest in scale, around twenty centimetres long, and its shaft and arms are each formed by two parallel bands with a shallow depression running between them. Lichen has taken hold on the southern and eastern faces of the stone, and patches of it appear on the west face too, though the carved surfaces themselves show none of the biological weathering that would accumulate over decades, reinforcing the impression of a very recent date.

The boulder sits on open shoreline, and the carved face, oriented away from the water, would be easy to walk past without registering what it is. The contrast between the lichen-covered flanks of the stone and the clean freshness of the carving is probably the most telling detail once you are standing in front of it.