It is the kind of ruin where the burial ground has outlasted the church by centuries, and where the ground itself holds more than is immediately visible. The site sits on a south-facing slope in upland North Tipperary, with a motte castle, the earthwork remnant of an early Norman fortification, lying roughly 160 metres to the west, and a medieval watermill to the south. The cluster suggests a small but organised medieval settlement, the kind of place that was once a working centre of rural life.

Burgess Church appears in the ecclesiastical taxation of the Diocese of Killaloe in 1302, which places it firmly within the medieval parish network of the region. By 1615, when a Royal Visitation recorded its condition, the assessors found 'a good church, a good chancell', suggesting the building was then still intact and in use. The Down Survey map of 1654 to 1657 depicts both the church and the watermill, and the Civil Survey of the same period names it plainly as 'the parish Church of Borges'. Sometime after that, decay set in. By the time Ordnance Survey officers were compiling their detailed local letters in the nineteenth century, only the north and south walls were standing, with a width of roughly seven metres and no trace of either gable end. Today even that reduced shell is largely gone, leaving the single surviving fragment. Then, in 1932, local men working in the northeast corner of the ruins uncovered a sheela-na-gig, a carved stone figure of a type found across medieval Irish churches and associated with a range of theories from apotropaic warding to fertility symbolism. The carving was removed and is now held in the National Museum of Ireland.